Overcoming the New Limits: Virtual Production

Summit BITS Audiovisual Inteligência Artificial Futuro Tendências Arte e Cultura

We'll start with definitions and a brief history, and then move on to the use of digital scenarios and motion capture, along with essential tools and programs like the Unreal Engine. We'll discuss preparation and budget impact, but also creative flexibility with the freedom to create new and familiar worlds, assisting in production and direction, reducing costs, optimizing schedules, and providing pre-visualization possibilities. We'll highlight current cases and trends, as well as explore the challenges of artistic authenticity, protecting the rights of authors and professionals involved, while also emphasizing the viewer's experience.

Speakers

Diogo Costa Pinto | Palestrante

Diogo Costa Pinto is creative director of new technologies at Quanta and operates in the development of solutions for virtual production, real-time visualization systems, virtual reality and interaction design

Marcelo Pedrazzi | Moderador

With over 20 years of experience as a producer, assembler and finisher. In his first feature film he worked as an editing assistant, then continued as an editor and finisher, followed technological changes, opened a finishing house, and was responsible for bringing new technologies to the country. It created a remastering sector, enabling the digitization of more than 80 films, giving the market and new viewers access to valuable works of Brazilian cinema. From 2014 onwards he began producing original content such as “Eu Sou Carlos Imperial”, “Jovens Polacas”, “Noites de Alface” and “1968 um ano na vida”, in addition to co-producing international projects such as “Os Lobos do Leste” with Japan. .

Ale Seara | Palestrante

A Fabrica

With more than 20 years of experience, I’ve worked as a post-producer, producer and editor for big TV shows (such as Big Brother Brasil / Fantástico), marketing campaigns, ads, TV concerts, institutional pieces, and movies. The last 10 years have been dedicated exclusively to post-production, I’ve worked with majors and independent producers, always trying to find the best combination for each project. My client’s portfolio includes Netflix, Amazon, Disney, Warner, HBO, Globo/Globoplay, FOX, and Ancine projects.

Fructuoso | Palestrante

GLOBO

Alexandre Fructuoso (1977 - Rio de Janeiro) I started in the cinematography area in the early 2000s, acting as an assistant and later gafer. I have been working at Globo since 2006, I participated in numerous projects, living the technological changes in audiovisual. In 2016 I was promoted to Director of Photography with the series 'Dois Irmãos' of Luiz Fernando Carvalho. Some relevant works in soap operas are: - Velho Chico - Deus Salve o Rei - Órfãos da Terra Enthusiast for technological solutions, I started working with LED panel solutions for car scenes and scenario extension. I currently participated in tests and pilots with virtual production.